Jump to content

New Tealight Luminary Globes


Chefmom

Recommended Posts

IMG_20160817_211728259.jpg

 

This is my third round of carved candle globe luminaries.  The first set came out of the kiln fire and I knew I would be making more!  I brought them home this week from the studio so I could take my time carving and monitor the clay for the perfect consistency.  I had the perfect day this week, thunderstorms and heavy rain kept me inside...carving clay!! :)

 

IMG_20160817_212036768.jpg

 

It is sometimes hard to imagine the size difference from moist clay to finished item...since I have been taking very careful measurements from the beginning I put a new one side by side with a fired one to show the difference.

 

IMG_20160805_164654042_HDR.jpg

 

The first round!!  I used a dark speckled clay because I love how the glazes have depth and that earthy speckle when they are finished. 

  • Like 10
Link to comment
Share on other sites

Guest OldGlory

Beautiful!!! The glazes really do add character to the globes.

It looks like they shrink almost 25%. Is that right? I had no idea.

Link to comment
Share on other sites

So much work! Beautiful. Imagining the patterned glow cast on the walls. 

 

is that the speckled manganese clay? Trying hard to stick with as few clays as possible because testing glazes is already challenging enough, lol. 

  • Like 1
Link to comment
Share on other sites

On 8/19/2016 at 11:50 AM, TallTayl said:

So much work! Beautiful. Imagining the patterned glow cast on the walls. 

 

is that the speckled manganese clay? Trying hard to stick with as few clays as possible because testing glazes is already challenging enough, lol. 

 

I work with two speckled clay bodies, a light buff clay with speckle...I'm finishing my Standard #112 boxes and then will probably switch to the Laguna version (the studio owner switched from Standard to Laguna recently).  This dark speckle clay is Laguna #70.  It's a dream clay.  Wonderful to throw and it takes the glazes like a very dark clay.  I also work with a black clay, I'm testing the new version now, after it fires with my favorite glazes I'll decide to keep working with it or not.  I don't work with white stoneware often, usually only when I want to do something in the cone10 gas kiln.  Most of my work is Cone5 electric fired.

 

Yes, the shrinkage is pretty substantial.  It's hard to really plan because it shrinks differently in height and width.  It's in the 15-+% range depending on the size and shape of the pieces.  You so rarely have a visual of a wet clay body and a fired piece to get a real idea of the shrinkage.  As usual I keep very detailed notes on clay weight and size so that I can recreate pieces, as well as lots of glaze tests etc. 

 

And...yes...they will be for sale.  I'm gathering stock for my first really big street festival in a month, and then a month later is the County Potters Tour where all the pottery studios have a collective open house one weekend in October.  They get a lot of traffic from as far as Pittsburgh and it's my first year participating as a Guest Potter in the studio I work in.  :)

  • Like 1
Link to comment
Share on other sites

16 minutes ago, TallTayl said:

Is your black clay, really black after firing? Amy Palatnick uses a gorgeous dark clay that is nearly black. Kind of like a deep dark chocolate.

The black clay isn't as black as the black glaze...but it's pretty dark.  The one on the left is the black clay, Standard #266.  It's like a high maintenance girlfriend.  It throws best at a very specific plasticity, if it isn't right it collapses and doesn't take water and then catches on your hands, no matter how much slop you have on them.  It stains your fingers orange for days, it's no fun to clean up because you have to wash everything twice.  It is fussy in glaze fire as well.  Cone5, great...just a kiss higher in Cone6 and the clay body goes blistery and bloats.  But...it takes glazes so lovely....so I have toughed it out.

 

The Laguna version is called B3 and it throws better, but still stains your hands orange and is grumbly to clean up.  The next glaze fire I will have my first B3 pieces out to make a final decision to stick with the clay body or not.

 

The item on the right is the Laguna #70, and it takes glazes similar to the black clay, with the speckle coming through.  It is a dream to work with and I have even dropped bowls on the wheel to be able to pick them back up and get a completed piece from this clay. 

 

I put the lid to my tea strainer in the center because it is black plastic to show contrast.  I made these little pillar plates and glazed them to try to decide which clay I want to work with for my future dinnerware.  I love the black clay, but for workability etc I'm leaning heavily on the dark speckle clay...I might change my mind after seeing the B3, but the #70 is very consistent.

IMG_20160822_103328217.jpg

  • Like 1
Link to comment
Share on other sites

That is what I heard about the standard 266. Bloating is ugly :(  being touchy to work with as well makes it a no-go IMO :D 

 

it it is finally cooling enough to think about running my kiln again. The heat and humidity we had this summer was tooooo much. Soooo looking forward to getting back to it. Too many ideas in my head to choose a first. Looking forward to seeing more of your work!

  • Like 1
Link to comment
Share on other sites

  • 1 month later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...